AI @ Nicholls State University

lance jones staff As artificial intelligence becomes more and more a part of daily life, universities are grappling with how to integrate machine learning without losing academic integrity. “AI, like the Internet, social media, and search engines are all great inventions that benefit societies that can also cause great harm,” says Megan Lowe, library director at Northwestern State University. “If a student can’t analyze a text without a chatbot, what does that say about their education?” “If a student can’t analyze a text without a chatbot, what does that say about their education?” Megan Lowe, library director @ Northwestern State University Student use of AI to help learn and do school work has outpaced faculty use. According to a June 2024 Pearson report, 51 percent of spring 2024 semester college students said AI helped them get better grades and 56 percent said AI helped them be more efficient. Meanwhile, a June 2024 survey of faculty showed that while 66 percent are familiar with AI, only about 14 percent are confident in their ability to use AI in the classroom, according to Ithaka S+R, a higher education consulting firm. In addition, 42 percent of faculty surveyed say they don’t allow students to use AI at all in their courses. As artificial intelligence tools become more advanced and easier to access, students say they are finding new ways to use them for their schoolwork. “When I first heard about AI chatbots, I thought they were overhyped, but now, I can’t imagine school without using these tools for brainstorming or research,” says David Johnson, a former University of New Orleans computer science major. On the other hand, some professors are concerned that the reliance on AI could diminish students’ critical thinking skills. To tackle the challenges posed by AI, many institutions are focusing on developing their faculty’s understanding of these technologies. “Universities should be holding workshops to educate professors and university officials on the basics of AI by viewing technology as a partner in education rather than something to fear,” says Meredith King, assistant director of teaching innovation at the University of New Orleans. “We can improve the overall learning experience.” This approach is used to change the conversation from simply banning AI to exploring its potential, allowing educators to establish clear guidelines while promoting creative ways to use AI, King says. At the same time, many business departments at universities are working to find a middle ground — leveraging AI’s capabilities, while upholding academic integrity. “We’re not advocating for students to let AI take the place of their own ideas, instead we want them to use it to enhance their creative thinking,” says Lowe at Northwestern State University. “As future professionals they will likely collaborate with AI and it’s important that we teach them how to do so in a responsible manner.” the point podcast smart talk The Tillou Chatbot at Nicholls State University uses AI to answers student questions. Dr. Juliann Allen, marketing professor, teaches AI.
The Lost Bayou: Chitlin Circuit – new
sarah kraemer features editor The 1930s to the 1960s were the height of blues, jazz, R&B and rock ‘n’ roll music. It was also the height of Jim Crow segregation in the South. In a time when Black musicians could not perform at popular, career-making venues, these musicians had to find unique ways to play for audiences. Because of this, performers and venue owners created an “underground” network of live entertainment locations now called the Chitlin’ Circuit. Small venues on the circuit were located everywhere from Texas to Florida to Massachusetts to the small Louisiana town of Thibodaux. Thibodaux “was like a base on a baseball field” for black musicians, says Jeff Hannusch, author of “The Soul of New Orleans: A Legacy of Rhythm and Blues.” Thibodaux was home to various stops on the Chitlin’ Circuit, like the Sugar Bowl, that were kickoffs for musicians’ careers — impacting the musicians, the residents, and the culture of the area itself. “The music was unpolished, but that’s what made it so good. It was the real thing. It was reality.” Jeff Hannusch https://youtu.be/2TVGVIyw1F0 Thibodaux is in the heart of Bayou Lafourche, that area south of New Orleans that most of the U.S. believes sits in the water. This Cajun town has a community that fosters a unique music culture. These characteristics made Thibodaux a prime area for African American musicians to perform during Jim Crow segregation, especially with the financial help and moral support of the Sugar Bowl Owner Hosea Hill, Hannusch says. After The Great Depression, the Great Migration of Black Americans from the South to the North corresponded with a migration of rural black Americans to cities like New Orleans. “Between 1920 and 1940, the New Orleans black population swelled from 100,000 to 150,000,” according to “A Closer Walk,” a non-profit website focusing on New Orleans’ music history. Among those migrating to the Crescent City were young people from small towns, like Thibodaux, who would become some of the most influential blues and R&B artists of the time. This migration led to venues owned, run, and visited by Black Americans in these cities and their rural feeder towns. Hannusch, a New Orleans resident, says people would get dressed up to “raise hell” and listen to these musicians. “The music was unpolished, but that’s what made it so good,” Hannusch says. “It was the real thing. It was reality.” This music and these venues became a part of the Black culture of the time, especially in an era before entertainment media like TV and the Internet. 93-year-old Mary Anne Hoffman says she remembers her friends attending circuit performances. “At the time, it wasn’t proper [for white people] to go into those places, but a lot of my friends went and participated in that,” says the Thibodaux native. Those stepping over the segregation lines could face serious consequences. “You would have to take a chance,” Hannusch says. “A lot of those guys ended up in jail for the night.” Because of the fear of crossing segregation lines the circuit had an air of secrecy and the stories of the musicians and their impact have also stayed hidden. The Circuit with Dr. Jason Ladd | Today Thus, today the essence of the Chitlin’ Circuit is mostly lost and unspoken. Hannusch says that’s why he began his research. “It was ignored by a lot of people at the time…and now,” he says. This, along with the normal passage of time, means those who experienced the Chitlin’ Circuit firsthand are gradually taking those memories to their graves. “I had several friends that I know would know so much, but… they’re either dead, or I can’t reach them,” Hoffman says. The music and the memories of the circuit’s culture can be told, however. Like a vinyl record created by musicians with accuracy and care, the story of the Chitlin’ Circuit can be recorded by those who experienced the music and by those impacted by the culture of the musicians who created it. This issue of Garde Voir Ci will do just that. “It was ignored by a lot of people at the time…and now.” Jeff Hannusch Hosea Hill’s Sugar Bowl in Thibodaux Invitation to the Sugar Bowl Tina Turner performing in Thibodaux Eddie Jones, Thurston Hill, and Hosea Hill
The Lost Bayou: Chitlin Circuit
sarah kraemer features editor The 1930s to the 1960s were the height of blues, jazz, R&B and rock ‘n’ roll music. It was also the height of Jim Crow segregation in the South. In a time when Black musicians could not perform at popular, career-making venues, these musicians had to find unique ways to play for audiences. Because of this, performers and venue owners created an “underground” network of live entertainment locations now called the Chitlin’ Circuit. Small venues on the circuit were located everywhere from Texas to Florida to Massachusetts to the small Louisiana town of Thibodaux. Thibodaux “was like a base on a baseball field” for black musicians, says Jeff Hannusch, author of “The Soul of New Orleans: A Legacy of Rhythm and Blues.” Thibodaux was home to various stops on the Chitlin’ Circuit, like the Sugar Bowl, that were kickoffs for musicians’ careers — impacting the musicians, the residents, and the culture of the area itself. “The music was unpolished, but that’s what made it so good. It was the real thing. It was reality.” Jeff Hannusch Thibodaux is in the heart of Bayou Lafourche, that area south of New Orleans that most of the U.S. believes sits in the water. This Cajun town has a community that fosters a unique music culture. These characteristics made Thibodaux a prime area for African American musicians to perform during Jim Crow segregation, especially with the financial help and moral support of the Sugar Bowl Owner Hosea Hill, Hannusch says. After The Great Depression, the Great Migration of Black Americans from the South to the North corresponded with a migration of rural black Americans to cities like New Orleans. “Between 1920 and 1940, the New Orleans black population swelled from 100,000 to 150,000,” according to “A Closer Walk,” a non-profit website focusing on New Orleans’ music history. Among those migrating to the Crescent City were young people from small towns, like Thibodaux, who would become some of the most influential blues and R&B artists of the time. This migration led to venues owned, run, and visited by Black Americans in these cities and their rural feeder towns. Hannusch, a New Orleans resident, says people would get dressed up to “raise hell” and listen to these musicians. “The music was unpolished, but that’s what made it so good,” Hannusch says. “It was the real thing. It was reality.” This music and these venues became a part of the Black culture of the time, especially in an era before entertainment media like TV and the Internet. 93-year-old Mary Anne Hoffman says she remembers her friends attending circuit performances. “At the time, it wasn’t proper [for white people] to go into those places, but a lot of my friends went and participated in that,” says the Thibodaux native. Those stepping over the segregation lines could face serious consequences. “You would have to take a chance,” Hannusch says. “A lot of those guys ended up in jail for the night.” Because of the fear of crossing segregation lines the circuit had an air of secrecy and the stories of the musicians and their impact have also stayed hidden. Today Thus, today the essence of the Chitlin’ Circuit is mostly lost and unspoken. Hannusch says that’s why he began his research. “It was ignored by a lot of people at the time…and now,” he says. This, along with the normal passage of time, means those who experienced the Chitlin’ Circuit firsthand are gradually taking those memories to their graves. “I had several friends that I know would know so much, but… they’re either dead, or I can’t reach them,” Hoffman says. The music and the memories of the circuit’s culture can be told, however. Like a vinyl record created by musicians with accuracy and care, the story of the Chitlin’ Circuit can be recorded by those who experienced the music and by those impacted by the culture of the musicians who created it. This issue of Garde Voir Ci will do just that. Hosea Hill’s Sugar Bowl in Thibodaux Invitation to the Sugar Bowl Tina Turner performing in Thibodaux Eddie Jones, Thurston Hill, and Hosea Hill
The Lost Bayou: Youth Culture

Jordyn Voisin Features Editor For the more than 900,000 teenagers and young adults in South Louisiana’s Bayou Region, much of the thriving youth culture scene of past decades has disappeared. Bars, clubs, entertainment, and hangouts are now few and far between. “My friends and I would always go to the skating rink for lock-ins to have a good time; but now it has been converted into some apartment buildings and a church,” says Rebecca Davis, who grew up in Morgan City in the ’80s. “There isn’t much now for our grandchildren to do.” “There isn’t much now for our grandchildren to do.” Rebecca Davis The skating rink was called the Skate Connection and it is just one rink out of 30 in the Bayou Region that has closed or been renovated into something new. Gordon Vinning, who grew up in Patterson and has been a DJ since 1989, says his favorite activity growing up was playing “tag” with his friends, driving around in their beat-up old pickups and using CB radios to find each other. “[It was] a unique group of kids that just wanted to have fun, cut up, and be kids,” he says. “It didn’t matter what school you came from, what background you had or how much money you had, the CB club was made up of kids from all walks of life.” The CB Club inspired Vinning to become a DJ where he played in some of the bars and clubs that no longer exist. Vinning says one reason for some of the bar closures is the shift in the type of music that bar owners made the DJ’s play. In the ’90s, DJ’s would play more than one type of music so everyone in the crowd, no matter their age, could have a good time. But over the years, he says he was only allowed to play the newer music for the younger crowd. “When there is no older crowd, there is less revenue entering the establishment because most college aged kids don’t have much money,” Vinning says. According to the U.S. Census, Louisiana’s population ages 5 to 34 has only decreased 1 percent in the last 10 years. And with nearly 929,000 still in the Bayou Region, youth culture still exists, just not the physical places they once gathered. What Happened? Stephanie Baran, a sociology professor at Nicholls State University, says much like the Industrial Revolution in the 1800s, the loss of youth activities can be connected to the ebb and flow of supply and demand. Baran says the shift that we’re seeing of people moving to bigger places for “stuff to do, people to meet and things to see.” “[It’s not so different from] the Industrial Revolution when the agricultural workers were moving to the cities for higher paying jobs,” Baran says. “This shift we’re seeing now is just sort of a digital version.” History has shown that people move to larger cities for more job opportunities. Likewise, the digital shift in today’s world has caused many millennials to move to bigger cities where there are more things to do, she says. “Economics are the main driver as to why some of these places no longer exist.” In this issue of Garde Voir Ci, the Lost Bayou series will revisit the lost places of youth culture in the Bayou Region. Lee Brothers Dance Hall Abandoned Skateland Bingo (Skateland U.S.A.) Downtown Thibodaux early 1900s Pharmacy in Downtown Thibodaux, 1930s Last Call in Downtown Thibodaux Park Pavilion Safari Club The Safari Club after the fire
The Lost Bayou: Ida, One Year Later

By Alexis Casnave, Features Editor It’s been one year since Hurricane Ida changed the lives of those living in the Bayou Region of Southeast Louisiana; and while progress has been made, the rebuilding is not over. “As bad as this was and as harmful as it was to our homes and businesses, we are still here,” says Archie Chaisson, Lafourche Parish president. “There’s nothing that truly is not going to come back in some way shape or form, it’s just the time it will take for these things to come back that’s a cause for concern.” “As bad as this was and as harmful as it was to our homes and businesses, we are still here.” — Archie Chaisson, Lafourche Parish president One of the areas that is slow to come back is housing, from fixing damaged structures to rebuilding destroyed homes, especially for South Lafourche, where Ida hit first and hardest. “The South Lafourche community was completely devastated,” Chiasson says. “People are still dealing with insurance claims and insurance companies going bankrupt.” As FEMA and state sheltering programs come to an end, people who are still displaced are struggling to find housing. Fortunately, some residents are slowly getting back in their homes. Joushua Scioneaux, a Cut Off resident, says his parents just moved back into their home after living in a camper for almost a year. “It was a long recovery for sure,” Scioneaux says. “So many people were affected, and it took so long to be on the waiting list for stuff to get done.” But Chaisson says recovery has really come down to the community. “One of the things that went right was just the way the community reacted,” Chaisson says. “They really rallied themselves as a community and it became all about neighbors helping neighbors.” The parish has also made efforts to learn from Ida. “We looked at putting additional contract abilities to get things done quicker,” Chaisson says, “things like running generators, sewer stations, water plants, and larger emergency shelters.” And yet after the destruction, one year later, Chaisson says “We’re still here. Although things were a struggle, brighter days are ahead and we are here and open for business.”
The Lost Bayou: Grand Isle

By Jonathan Eastwood & Kristen Rodrigue, Features Editor & Managing Editor What was once one of Louisiana’s most popular island oases, Grand Isle now lies in shambles — homes destroyed, businesses in ruins and lives changed forever. “It was tragic – so shocking, I still have no words,” says long-time Grand Isle vacationer Gregory Autin. “It looked like a nuke went off, you couldn’t even see the road – it was just covered in sand.” “It was tragic – so shocking, I still have no words. It looked like a nuke went off.” On August 29, 2021, Hurricane Ida hit the Bayou Region of Southeastern Louisiana, causing mass destruction and leaving the low-lying island town of Grand Isle especially devastated. Nearly eight months later, Grand Isle is still struggling to recover. Many homes, businesses and camps remain in disrepair. Grand Isle resident and business owner Shane Holder says his RV park is still buried in sand after a levee was wiped out by waves during the storm. “You can’t tell it now, but from right here to over yonder there was no levee,” he says. “It completely failed.” While Mayor David Camardelle and members of the Town Council fight to bring back Grand Isle, the rest of the world – and even much of Louisiana – remains unaware of what the island continues to face. “They think normal life is happening here, and it’s not,” Camardelle says. Despite the hardship Hurricane Ida brought when it landed in the Bayou Region, Camardelle and the residents of Grand Isle are determined to keep fighting for their beloved island-paradise. A framed poster on the mayor’s desk in the temporary town hall reads, “As long as there is one grain of sand on Grand Isle, we are going to plant the American flag. We are not going anywhere.” In this issue, we will tell the story of Grand Isle: the community that has lost so much, and the people who are fighting to bring it back.
The Lost Bayou: Hurricane Ida

By Dex Duet & Mikaela Chiasson-Knight, Features Editor & Managing Editor Hurricane Ida, one of the costliest tropical cyclones on record, left a path of destruction from the Gulf Coast to the Northeastern United States, but it hit the Bayou Region of Southeast Louisiana first and hardest. “The only word I can use to describe it was terrifying,” says Houma resident Austin Avet. “The wind was so incredible that I could never tell if something was going to hit my house or if my roof would tear apart.” “The wind was so incredible that I could never tell if something was going to hit my house or if my roof would tear apart.” On August 29, the 16th anniversary of Hurricane Katrina that decimated the Mississippi Gulf Coast and flooded New Orleans, this Category 4 storm destroyed the Bayou Region from Grand Isle to north of Lake Pontchartrain. With sustained winds of 150 mph, Ida tied Hurricane Laura in 2020 and the 1856 Last Island hurricane as the strongest storm to hit Louisiana, according to NOAA data. With the first alerts starting just three days before the Sunday landfall, meteorologists and public officials started warning of a very destructive hurricane and issuing mandatory evacuations for most parishes in Southeast Louisiana. “The reality is this part of the Louisiana coastline went many years without a major storm impact (Betsy 1965) so this was new for many people,” says Meteorologist Zack Fradella with Fox 8 in New Orleans. Ida was just shy of a Category 5 storm spanning from Port Fourchon to New Orleans, according to The Weather Channel. Port Fourchon, a local powerhouse for the oil industry, clocked winds of 228 mph and storm surge of more than 12 feet on one of their docked ships. The hardest-hit areas were the southern parishes: Terrebonne, Lafourche, and Jefferson. The eye of the storm passed right over eastern Terrebonne, while the worst part of the storm (the eastern eyewall) passed over northern Lafourche, devastating the community. Terrebonne Parish Police Officer Travis Theriot says he was on duty for hurricanes Katrina, Rita, Gustave and Ike and Ida was worse. “Twenty three years in law enforcement and that was the scaredest I’ve ever been in a storm,” he says. While some residents heeded the warnings and evacuated, many others, like Avet chose to stay. “I would never stay for another major hurricane because regardless of what the weather professionals say, you can never be sure how strong it can be until you experience it first hand,” says the Houma resident. Choctaw resident Aggie Thibodaux says the crisis became more apparent after the storm. “It all got worse when the storm ended and I found out that my friends were hiding in their attics,” says Thibodaux. After ploughing through Louisiana, Ida then turned north and tore through much of the South; even making its way to the Northeastern United States. The lingering power of the storm caused flash flooding in New Jersey where, according to Reuters.com, Ida claimed the lives of 50 people. For Southeast Louisiana, the storm has not passed. Even more than a month later, many residents are still without power and some are even living in tents next to their uninhabitable homes. Many people are still dealing with displacement, being out of work and struggling with insurance or FEMA claims, says Martin Folse, host of HTV Houma. “I’ve covered storms since 1985 and I’ve never quite seen a storm like this,” he says. “A lot of people are having a lot of struggle, but the vast majority aren’t struggling with the rebuilding as much as they’re being mistreated by their insurance companies and FEMA. That has been the most difficult thing in terms of recovery.” This semester’s Lost Bayou community truly chose itself. The entire region lost so much in this intense and deadly hurricane. Since our hometowns were brutally impacted; it is only right that we tell these stories: the stories of the storm, the stories of loss and the stories of recovery and resiliency. Our stories.
The Lost Bayou: The United Houma Nation

By Jade Williams & Addie Wetzel, Features Editor & Managing Editor Before gumbo, Zydeco and the multicultural influences that shaped today’s modern South Louisiana culture, the people of the United Houma Nation inhabited this land and nearby regions. One of the many native peoples, their rich culture influenced many aspects of the bayou region today. Migration Originally from Mississippi, the tribe were mound builders that go back thousands of years. Over time, war, colonization and prejudice pushed the tribe into Louisiana and eventually to the Louisiana coast. “We were identified in Mississippi by the Spanish in the 1540s, but we migrated. We spread out,” says Kathleen Bergeron, a tribal elder from St. Mary Parish. “When the French arrived, we were north of Baton Rouge. Matter of fact, Southern (University) campus is our ancestral land.” Melanie Hayes, an archivist for the tribe, says they eventually settled in areas of swamp and marsh in Louisiana spanning six parishes — St. Mary, Terrebonne, Lafourche, Jefferson, Plaquemines and St. Bernard. And, unlike some other Native American tribes, the Houma has never had a reservation or protected lands. Losing Land The six parishes where most of the 19,000-member tribe now lives line the Gulf of Mexico and, with that, are threatened by hurricanes, rising sea levels, coastal erosion and other environmental risks created by companies like oil and gas. Their land is disappearing. “The land that we used to meet on… it’s just gone,” Hayes says. Bergeron says her family always fished and trapped, but the areas are now lost. “The places that my grandparents and my parents trapped are pretty much gone,” says Bergeron. “You see where they used to have the docks, it’s all water now. Used to be where they put their camps to trap, it’s gone.” Losing Culture The culture and community of the United Houma Nation faces more than just the loss of their land. The tribe’s culture is also being threatened as the older generations pass away. Things like language, arts and crafts and the ways of healers called traiteurs are being lost, says Hayes. “This period is very threatening because of technology, social media and our kids are getting to go to main schools,” Bergeron says. Hayes agrees. “Language is being butchered by social media,” she says. Yet even with the current threats, the tribe’s past shows they can overcome, Bergeron says. “We don’t give up. We are not giving up who we are.”
The Lost Bayou: Isle Dernière

by Payton Suire Managing Editor At one time, Louisiana’s coast was a white, sandy beach and blue-water destination. An oasis for the rich and powerful sugar planters. But the beauty of this paradise and the wealth of its visitors provided no protection from the deadliest storm to hit Louisiana’s coast. This unnamed storm that erased the summer resort of Last Island, Isle Dernière, was the worst to hit Louisiana until Hurricane Laura in August 2020. “Those storms all have become legendary. It’s part of your psyche now. The difference between 1856 and any of those other storms that impacted LaFourche Parish, is that, and I say politely, those people could read and write,” said John Doucet, author on early Louisiana hurricanes and dean of Nicholls State University’s College of Sciences and Technology. “They say that 2/3 of all the millionaires in the United States lived in Louisiana at the time. Much of the wealth of the United States diminished that night. First because of the death of the planters, but also, when a planter dies, the wealth has to be divided between the children.” Today, weather forecasters use data from radars giving residents days to prepare. Laura was tracked in the Gulf of Mexico more than a week before the storm hit. And while predictions and models are still imprecise — for Laura, hurricane warnings were in effect from New Orleans to the East Texas coast — any advance warning gives residents and officials time to order evacuations. 500,000 people during Laura were evacuated and prepared, according to news reports. Unfortunately, in 1856, the vacationers on Last Island were naive to the tragedy forming in the Gulf and largely unaware of what was to come. Despite the warnings from crew on the steamboat Nautilus, capsizing only a few miles off the island, the cows pacing and lowering in the fields, or the waves as high as houses forming on the horizon, resorters believed everything was perfectly fine, according to the book Remembering Last Island. Even while the storm moved onshore and the winds swirled, vacationers partied at Muggah’s Hotel, the most popular spot on the island. “We did not know then as we did afterwards that the voice of those many waters was solemnly saying to us, `Escape for thy life,’” said survivor Rev. R.S. McAllister of Thibodaux, Louisiana in his memoirs A Minister Tempered by the Elements. Within two minutes water covered the island, washing away all structures and wildlife. Of the 400 on the island, 198 were dead, according to the 2017 Smithsonian Magazine article, A Hurricane Destroyed this Louisiana Resort Town Never to Be Inhabited Again. Those who survived barely escaped, witnessing the fate of those around them. In those times, the only way on and off the island was by boat and help took 5 days to arrive, leaving survivors scattered in the marsh, many injured, living off of crawfish and rainwater. “The jewelled and lily hand of a woman was seen protruding from the sand, and pointing toward heaven; … and again, the dead bodies of husband and wife, so relatively placed as to show that constant until death did them part, the one had struggled to save the other,” McAllister says. “And, more affecting still, there was the form of a sweet babe even yet embraced by the stiff and bloodless arms of a mother. Sights like these suddenly presented, gave a shock never to be forgotten, and called up certain feelings which no language can describe.” Even today, southwest Louisiana’s hurricane-Laura ravaged areas are still digging out from the debris and destruction a month after the storm hit. Last Island, which was completely submerged and broken into multiple pieces, never again housed a community. The only evidence of the short-lived, yet vibrant resort oasis is the historical marker erected in 1959 in Gray, about 45 miles north of the former Last Island. The small strips of sand that once formed a single island are now a bird sanctuary for pelicans and other water birds.
The Lost Bayou: Grand Bayou

by Lauryn Madere & Shaun Breaux, Managing Editor & Features Editor A community is a group of people living in the same place or having a particular characteristic in common. It’s where people grow up, where they learn who they are. Parents, grandparents, aunts and uncles, cousins, neighbors and even classmates are some of the people who make communities what they are. They are, in simpler terms, home. And in South Louisiana, that sense of community has come from the way the Acadians have historically raised their children, says Paul Leslie, professor of history at Nicholls State University in Thibodaux. “Most of the Acadians that leave here are very successful because they love people,” he says. “They have great people skills, and that’s one of the things that comes out of a community. The community raises the kids.” But communities don’t always last. Sometimes they disappear. Sometimes they are ripped away. All across South Louisiana’s bayou region, people have been forced to leave their homes because of natural disasters or other environmental concerns. In order to preserve the history, culture and traditions of these lost communities, Garde Voir Ci’s spring 2020 issue, will kick off a series capturing the stories of the people that lived in these distinct places in South Louisiana that otherwise would be lost. Places like Grand Bayou, Isle de Jean Charles, Cheniere Caminada, Last Island and the Houma Nation. “That’s the last thing an Acadian wants to do is move,” Leslie says. “You drive along the bayou and you see all these French named lanes and you wonder why? Why because their family originated here.” Only the memories of those left and the documents of those no longer alive sustain Grand Bayou’s story. And Grand Bayou’s stories are the stories of its people. The community it created. And within them, Grand Bayou will always exist. “I want to talk about this because Grand Bayou was so precious to me” says Jason Blanchard, a former resident of Grand Bayou. GRAND BAYOU Echoing the hollowness left behind in Grand Bayou, a set of five, handwritten pages documents the history of the Rousseau family, one of the main families who settled the community. Hazel Aucoin, daughter of Marcelin and Adele Rousseau one of the original families in Grand Bayou, wrote the history that started with Gustave Joseph de LaBarre founding Grand Bayou in 1900 when it was just a sawmill, cotton gin, broom factory, moss gin, country store, dance hall and a barbershop. Located in Assumption Parish, Grand Bayou existed between much larger communities with large Cajun families that lived along both sides of the bayou. “I don’t think Cajun has anything to do with family genetics, it’s more of an environment that you’re raised in,” Leslie says. Aucoin’s notes detail the bayou as the center of the community in the town’s one mile of glory. Its people used the bayou as the main source of transportation, living off the land and attending Sunday afternoon gatherings. Children learned to swim in the bayou during the day, and people would come by horseback or boat to attend big dances every Saturday night. Work mostly took place in the swamp: cutting down trees, pulling logs by pull boats and dredging canals. “It was a friendly community, safe community. We had just everything we really wanted there,” says Jerry Rousseau, who lived in Grand Bayou for 19 years. “We had a store, a schoolhouse.” Just like everything else, the town progressed with time. The country store thrived, restaurants opened, buses ran and natural gas, electricity and parish water developed. Yet the community was in an area that, when rains further north swelled the rivers like the Atchafalaya, the water would back up Grand Bayou and flood the community. Those waters were known as “high water.” And while high water was a concern, the discovery of two other natural resources — salt domes and natural gas — were what eventually drove the people of Grand Bayou from their home. At first, the incorporation of the oil companies created jobs and prosperity. But now, companies like Texas Brine, Dow Chemical and Underground Storage Facility are all that remains of a once thriving community. “When I grew up, it was just a great place to be safe as can be,” Rousseau says. “It’s sickening to pass through it and see what’s happening.” As what little remains disappears, there is a limit to what stories those notes recorded by hand long ago can recreate. But the memories and voices of those who lived in the community still speak — through words, pictures, memories. Garde Voir Ci will tell that story. The story of a community whose only remaining marker, the historical plaque that lies fading on the ground, reminds us of what home really is: “Where we love is home – home that our feet may leave but not our hearts.” —Oliver Wendell Holmes Jr. The Lost Bayou: Series